![]() Maturity and marriage mellow the teenager. Be pretty, be pleasant, use mouthwash and deodorant, never have an intellectual thought, and Prince Charming will sweep you off his castle where you will live happily ever after.” Kreps wrote in 1970, “she is exhorted to play out the role of Cinderella, expecting fortune and happiness from some Prince Charming, rather than to venture out by herself. So, young girls, thanks to the popularity of Hindi mainstream films, are encouraged to be docile, intellectually low, and to cultivate childlike dependent qualities and social, manipulative skills. As Arelene Dahl says in her book, Always Ask a Man, a woman “must never let her competence compete with her femininity.” ![]() They go on harping on the same note that girls must be clever enough to catch a man, but never to outsmart him. What comes in the beginning, during the teenage years to be precise, is the Prince Charming factor that every bright-eyed teenager, nourished on a generous diet of fairy tales, Mills and Boons and Hindi films teenagers love to fantasize about.Ī random survey of literature in the form of books and magazines written for teenage girls has a recurring theme. The modern Indian woman, married or not, successful in a career or not, identifies with the tragedy of Cinderella.īut this comes much, much later. The Cinderella story has many facets to it, not the least being the one that relates to Cinderella getting back into her rags and out of her pumpkin at the stroke of midnight. ![]()
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